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Noel’s iTunes picks: “No Bowie, no point getting up”

 

“Without you, what would I do?”

 

Noel Gallagher has never made a secret of his appreciation for David Bowie’s music over the years, but now he’s gone a step further by suggesting that without David Bowie there’s: “no point getting up in the morning.”

He made the comments for an iTunes feature explained here:

 

“iTunes have asked me to put together a list of my favourite albums and songs. Your life will become instantly more interesting should you even consider buying any of this gear. ONWARDS!” - Noel Gallagher

 

Among those selections were these:

 

The Next Day - David Bowie

“No matter how hard they try (and they will try!) they'll never beat the jaw dropping moment when "Where Are We Now?” was aired...the whole thing was mind blowing...properly mind blowing. A masterpiece.”

 

The Very Best Of The Velvet Underground - The Velvet Underground

“Without The Velvet Underground no David Bowie. No David Bowie, no point getting up in the morning”

 

He also selected In The Heat Of The Morning as one of his favourite tracks. Great taste that lad.

 

Noel Gallagher: itunes.com/noelfavourites 

categories: News
Friday 01.16.15
Posted by Mark Adams
 

Low album released 38 years ago today

 

“There’ll be others on the line filing past, who’ll whisper Low”

 

January 14 1977 saw the release of the first instalment of what came to be known as Bowie’s Berlin trilogy. That album was the Bowie/Visconti produced Low and it was followed later the same year by "Heroes" with the trilogy completed in 1979 by the arrival of Lodger.

Most of the music across the three albums wasn't even recorded in Berlin, the unifying factor actually being Bowie, Visconti and Eno.

Much has been written about the brilliance and braveness of the music on Low, and rightly so. It’s probably hard to imagine with the ears of today how absolutely unique the record sounded back in 1977.

Apart from the obvious slicing of the album into two distinct sides (reflected better in the original working title of New Music Night And Day), Visconti gifted Low that distinctive drum sound, among other things, via his latest gadget, the Evantide Harmonizer. The Eventide was a machine that Visconti described to Bowie and Eno in a conference call before the sessions, thus: “It fucks with the fabric of time.”

Though Low was a record purportedly informed by the likes of Kraftwerk and other German musicians of the time, it actually sounded far more organic and not at all mechanised.

This was in no small measure due to the nucleus of the band Bowie had favoured during this whole period (starting with Station To Station), of Carlos Alomar (guitar), Dennis Davis (drums) and George Murray (bass).

Despite a very mixed press reaction to Low, the album was a commercial success, peaking at #2 on the UK Albums Chart and number 11 on the US Billboard Pop Albums chart. "Sound and Vision" and "Be My Wife" were released as singles; the former reaching #3 on the UK Singles Chart.

More recently, the album was also voted #1 on Pitchfork.com’s "Top 100 Albums of the 1970s".

If you've not heard Low, go listen now on Spotify and prepare to be transported by its gloriously uplifting melancholia and majestic musical language from another time and place, that has yet to arrive.

Low sounds as fresh today as it ever did...thirty nine minutes of untouchable genius.

categories: News
Tuesday 01.13.15
Posted by Mark Adams
 

Sue (Or In A Season Of Crime) RC review

 

“Man, she punched me like a dude”

 

The January 2015 issue of Record Collector magazine has a review of the Sue (Or In A Season Of Crime) backed by ’Tis A Pity She Was A Whore, limited edition 10" single.

Sue (already listed in NME’s best fifty tracks of 2014), has her equally compelling flipside, ’Tis A Pity She Was A Whore, at #38 in MOJO’s 100 greatest Bowie songs special, currently in stores.

Here’s the conclusion from that MOJO review: “’Tis A Pity She Was A Whore finds us (and Bowie too) with most of the map references of the last fifty years gone - exhilaratingly.”

Though you should be able to read both reviews in our montage, we’ll leave you with an edited version of the closing paragraph of Record Collector’s critique by Editor Ian McCann.

“Look, when you hear what passes for rock by most current artists, it’s just a joke compared to this. Bowie is an old man in pop terms yet he’s still kicking down boundary walls. I was anticipating a disappointment. I couldn’t have been more wrong, and this is a world better than The Next Day.”

categories: News
Monday 01.12.15
Posted by Mark Adams
 

Lulu looking and sounding great at 41!

 

“He said I was his friend...”

 

Forty one years ago today a 25-year-old Lulu released the first of a few career resurrections in the shape of the Bowie-penned Polydor 45, The Man Who Sold The World/Watch That Man.

Produced and arranged by David Bowie and Mick Ronson the track reached #3 on the official UK singles chart, Lulu's first top ten hit for five years.

The unlikely coupling created lots of press for the release, the Daily Mirror article in our montage being just one such item.

The success of the record prompted RCA to take full page adverts for the Bowie album of the same name with the wording: Contains the original version of The Man Who Sold The World.

It's a cracking record with a superb arrangement and a great Bowie sax riff and licks from Ronno that aren’t on the original Bowie version. Apparently DB is a bit partial to the Lulu version himself.

Lulu went on to record a couple more songs with David that ended up on his own Young Americans album after he decided to keep them for himself...but that's another story.

Check out Lulu singing The Man Who Sold The World here on YouTube.

categories: News
Sunday 01.11.15
Posted by Mark Adams
 

17th annual Italian David Bowie Bash on Saturday

 

“Waiting for the gift”

 

Daniele from Sound & Vision has been in touch with details of what looks like a jolly good evening to be had if you’re in Italy today. (Saturday)

The 17th annual Italian David Bowie Bash, (Yes, that’s right, seventeenth!) has moved from Bassano del Grappa to Vicenza and the event organisers have promised this year’s event is going to be bigger and more exciting than ever!

Find out more on the Sound and Vision page, or keep reading for more details.

 

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Sound and Vision presents: The 17th annual Italian David Bowie Bash.

Venue: Totem Gallery, Via Vecchia Ferriera, Vicenza, Italy

Date: Saturday 10th January, 2015 from 9 pm 

 

BIGGER and more exciting than ever, this year the most eagerly-awaited event is moving from Bassano del Grappa to Vicenza, to gather a larger number of Bowie fans.

Famous Marco Castoldi aka Morgan – longtime Italian XFactor judge on his third time at the Italian Bowie Bash - will play songs by Bowie, Lou Reed, Marc Bolan, accompanied by Megahertz (Daniele Dupuis).

As tradition dictates, other musicians will join the event to celebrate David Bowie’s birthday. Main stage live starting from 9 pm on: Giuseppe Piol, Camilla Fascina, The Tyrannosaurus From Mars with frontman Alessio Zerbinati.

Camilla Fascina, a young singer songwriter, has been the first female singer ever joining the Italian David Bowie Bash. After her participation in a show by Lindsay Kemp in 2013, she now presents her freshly released EP fully dedicated to David Bowie.

categories: News
Friday 01.09.15
Posted by Mark Adams
 

DavidBowie.de Birthday Party in Berlin

 

“It’s happening now”

 

We’ve only just received details of this one, but if you happen to be in Berlin right now and you fancy celebrating David Bowie’s 68th birthday in the very bar the man used to frequent when he lived a few doors away, then it’s your lucky night.

All are welcome to join a very hospitable crowd of friendly and fun Bowie fans for what will no doubt be a very memorable evening.

Go here for further details or just get yourself here pronto!

categories: News
Friday 01.09.15
Posted by Mark Adams
 

ECHO BOWIE last ever shows start Saturday

 

“Not only are these the last shows of the tour...”

 

Sad to see the passing of The Netherlands' favourite Bowie tribute, ECHO BOWIE.

The band are embarking on a mini-tour to say goodbye to fans, with the first date being a special celebration of David Bowie's 68th birthday in Amstelveen (near Amsterdam).

Stay tuned to their Facebook page for updates and ticket details.

We’ll leave you with their official blurb and details of tomorrow’s show.

 

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ECHO BOWIE WAVE BYE BYE SHOWS

Echo Bowie wave bye bye. But...leave with a BANG! For nearly 15 years and more than 150 shows, praise from both fans and Bowie's own team, the guys wish to call it a day. The apogee of the Golden Years Are Now theatre shows feels like the right moment for a Rock 'n' Roll Suicide. But of course there will be an encore. For you and the band to kiss goodbye and to celebrate David Bowie's music once more. And in true Echo Bowie style, there'll be more than one encore. Not 'one last show we'll ever do', but 'four last shows we'll ever do'. The first will be a special one: a celebration of David Bowie's 68th birthday and the first of EB's goodbye shows on January 10 in P60 in Amstelveen. The venue in which we had such a ball together celebrating Bowie's 65th birthday.

 

DAVID BOWIE NIGHT ON JANUARY 10, 2015 IN P60 AMSTELVEEN:

- Echo Bowie perform hits and hidden gems by David Bowie

- DJ TV Queen Bitch from the UK spins Bowie (inspired) tracks

- 'Berlin - A Journey inspired by David Bowie' film by Villi Asgeirsson

- Mennomail's and DJ Sandeman's hailed mash-up video 'A Tribute To - David Bowie In Sound And Vision' (even Bowie's own site shared the video)

categories: News
Thursday 01.08.15
Posted by Mark Adams
 

David Bowie Is in Fairfax and Dallas tonight

 

“Hooked to the silver screen”

 

This Bowie Birthday evening sees two further US screenings of Hamish Hamilton’s David Bowie is documentary. Follow the links below for more info.

 

FAIRFAX, VA

DALLAS, TX

 

David Bowie Is takes audiences on an extraordinary journey through the ground-breaking exhibition at London’s Victoria & Albert Museum. Described by The Times as “stylish & outrageous,” the exhibition features a remarkable collection of photographs, stage costumes, and other rare possessions from the David Bowie Archive. With fascinating insight into Bowie’s most memorable music videos, never-before-seen handwritten lyrics, and special guests including Japanese designer Kansai Yamamoto, Pulp’s Jarvis Cocker, and other collaborators, this exclusive cinematic event reveals the creativity and evolution of one the most influential artists of our time.

categories: News
Wednesday 01.07.15
Posted by Mark Adams
 

BowieBall and birthday bash in Chicago

 

“Wild is the windy city”

 

If you’re in Chicago tonight and Friday and you're missing the Bowie buzz since the David Bowie Is exhibition moved on, you can get another quick fix at two separate events.

DJ Heaven Malone has been in touch with details of both, but the quickest way to find out about them is to visit his FB page here.

 

Alternatively, visit these dedicated pages...

BOWIEBALL - David Bowie's Birthday - Thursday, January 8th at Berlin Nightclub

BOWIE BIRTHDAY BASH - Friday, January 9th at Metro Chicago 

categories: News
Wednesday 01.07.15
Posted by Mark Adams
 

Russian and Ukrainian Bowie fans Birthday Message

 

“Wham Bam thank you fans!”

 

Elizabeth from BowieConference (http://smarturl.it/BowieConFB) got in touch yesterday to tell us about a David Bowie Birthday Message Flashmob 2015 from Russian and Ukrainian fans.

The message takes the form of a delightful and touching five and a half minute film, populated by fans displaying personal messages to David.

You can view the full thing here

 

Flashmob is made by David Bowie Fans vk group

Idea: Anastasia Zamashchikova

Director: Olga Twighlight

Producer: Lidia Mishchenko, Ekaterina Stetciuk

Edit: Wanda Bark, Aleksandr Olkha

PR, translate: Elizabeth Stoliarova

 

‪#‎davidbowie  ‪#‎davidbowiebirthday

categories: News
Wednesday 01.07.15
Posted by Mark Adams
 

Happy Birthday David Bowie

 

“Fill your heart with love today”

 

We’re sure you’ll want to join us in wishing many happy returns of the day to David Bowie on his 68th birthday.

Happy Birthday David, and here’s to what looks to be a very promising 2015. Lots of love to you from all of us.

 

(Stay tuned for details of lots of Bowie birthday celebration fan events taking place around the globe over the next few days)

categories: News
Wednesday 01.07.15
Posted by Mark Adams
 

Changes 45 released 43 years ago today

 

“Oh, look out you rock 'n rollers”

 

On January 7th 1972, the day before David Bowie's 25th birthday, RCA in the UK issued their first ever David Bowie single in the shape of Changes/Andy Warhol. (North America got it the month before)

The track was the first to be lifted from Hunky Dory, an album these days considered by most (with a full set of working ears), to be one of the very best of all time.

However, despite being a Tony Blackburn Record Of The Week on BBC Radio 1 (a big deal back then), neither album nor single worried the UK charts upon release.

Viewed from today’s perspective, it's hard to understand why the public didn't pick up on either the single or the album. Whatever the reasons, Bowie didn't seem unduly bothered and that’s possibly because he was already well on the way to unleashing the world-conquering Ziggy Stardust album and concept.

Changes is the opening track on Hunky Dory and you can listen to it now on Spotify. We should warn you though that it’s highly unlikely you won’t want to listen to the whole album while you’re there!

categories: News
Tuesday 01.06.15
Posted by Mark Adams
 

Bowie most successful exhibition in MCA’s 47-year history

 

“And 193 thousand peoploids split into small tribes”

 

The Museum of Contemporary Art Chicago (MCA) has released a press release with some incredible statistics regarding the fifteen-week run of the David Bowie Is exhibition.

Many thanks to everybody who has ensured the continued success of this exhibition, particularly all of you that have supported it by attending and those of you still to visit one of the remaining stops on the David Bowie Is World Tour. (See bottom of page) 

Read the full press release below.

 

DAVID BOWIE EXHIBITION BREAKS RECORDS AT MUSEUM OF CONTEMPORARY ART CHICAGO

 

More than 193,000 people visited the Museum of Contemporary Art Chicago (MCA) during the 15-week run of the David Bowie Is exhibition, setting a new attendance record for the museum. As the most successful exhibition in the MCA’s 47-year history, David Bowie Is also set new attendance records for all of the Bowie-related programs and performances, some selling out in less than an hour, and the highest sales for the MCA Store with the addition of the Bowie-themed satellite store. The MCA was the only US venue for this groundbreaking exhibition.

 

MCA Pritzker Director Madeleine Grynsztejn says, “We brought this exhibition to the MCA because it was an ideal bridge to connect with new audiences who are interested in the multidisciplinary arts that have been a hallmark of the museum. We are thrilled that so many people from around the country visited us for the first time, and we are especially proud of the enthusiasm and support we had in Chicago, where members of the community had a chance to rediscover the MCA. We will continue to build on the success we’ve had with Bowie with another exciting year of programs in 2015.”

 

There was an overwhelming response to the exhibition from the Chicago community: during its run, restaurants, hotels, and venues had Bowie-inspired events; people regularly came to the MCA dressed as one of David Bowie’s stage personas; and a record-breaking 52 million Twitter accounts saw the exhibition hashtag #DavidBowieIs. Visitors to the MCA website numbered more than one million.

 

Demonstrating Bowie’s lasting influence on multiple areas of contemporary culture, nearly all of the Bowie-related programs at the MCA were sold out. This included programs with internationally renowned cultural figures from disciplines such as music, film, and literature with talks by Kevin Barnes, Bryan Ferry, Neil Gaiman, Todd Haynes, Sandy Powell, and St. Vincent; performances by Boy George, Michael Clark Company, Bobby Conn, Disappears, Tim Kinsella, Jon Langford and Sally Timms, ONO, and White Mystery; and a David Bowie Film Festival.

 

MCA Chief Financial Officer Peggy Papaioannou developed a new financial model to optimize capacity during the MCA’s first time having timed tickets, a special admission price, and extended hours. Also, a special “Bowie Superfan” ticket was sold in advance of general ticket sales for Bowie enthusiasts who wanted to book their travel early. The nationwide synchronized release of David Bowie’s new three-CD compilation Nothing Has Changed by Columbia Records, and the US screenings of the David Bowie is happening now documentary, created by the Victoria and Albert Museum, London and directed by Hamish Hamilton, contributed to the national attention and success of the exhibition run.

 

The MCA hosted an opening day Bowie Tribute Concert drawing thousands of Chicagoans to Daley Plaza on September 23, which Mayor Rahm Emanuel officially declared “David Bowie Day” in Chicago. The artEdge 2014: David Bowie Is gala, presented by Louis Vuitton, drew the biggest names in Chicago’s social scene with a special performance by music legend Bryan Ferry. Over 750 people attended the gala, which raised more than $2.85 million, benefiting MCA exhibitions and programs.

 

The exhibition also attracted a record number of notable figures, especially from the music world. Celebrity visitors included Sophia Bush, Margaret Cho, Billy Corgan, Gillian Flynn, Adrian Grenier,  Daryl Hannah, George Lucas, William H. Macy, Bob Mould, Rita Ora, Aubrey Plaza, Jason Schwartzman, Earl Slick, Usher, Peter Wolf, Neil Young, and many others.

 

The Bowie-themed store was designed by the MCA to offer hundreds of Bowie-inspired design objects, some of which were produced exclusively for the MCA. During the run of the exhibition, the MCA Store sold 189,000 items including 7,000 Bowie exhibition catalogues, 14,000 t-shirts produced exclusively for the MCA, and 2,100 limited edition prints including a Chicago edition of Bowie as Aladdin Sane by Brian Duffy.

 

David Bowie Is presents the first international exhibition of the extraordinary career of David Bowie—one of the most pioneering and influential performers of our time. The exhibition focuses on his creative processes and collaborative work with artists and designers, and demonstrates how his work has both influenced and been influenced by wider movements in art, design, music, and theater. The exhibition’s multimedia design introduces advanced sound technology by Sennheiser and video installations to create an immersive journey through Bowie’s artistic life. David Bowie Is was organized by the Victoria and Albert Museum, London. MCA Chief Curator Michael Darling curated the Chicago presentation of the exhibition.

 

The exhibition continues its international tour with upcoming stops at the Philharmonie de Paris | Cité de la Musique in Paris (March—May 2015), the Australian Centre for the Moving Image in Melbourne (July—Nov 2015), and the Groninger Museum in the Netherlands (December 2015—March 2016)

categories: News
Tuesday 01.06.15
Posted by Mark Adams
 

St Vincent discussing David Bowie Is online

 

“Chicago’s in love with the way she talks”

 

We told you about Annie Clark of St. Vincent appearing at the MCA on Saturday (January 3rd) for a conversation with Jessica Hopper about David Bowie’s influence on her work as a songwriter and performer.

Annie also kindly provided us a line about Bowie which is worth repeating for those of you that missed it...

“David Bowie's mutating aesthetic and persona are as much an instrument as his voice or guitar. Sound and vision: hero, icon, alien.“

Well now a YouTube user named seijinlee has uploaded the majority of the interview in six parts for your viewing pleasure.

Among many other interesting Bowie-related topics discussed, a few of the subjects covered are hinted at in our montage: favourite Bowie costume (Kansai Yamamoto), favourite Bowie song (It’s No Game (Part 1)), favourite era (Zigy Stardust).

Also pictured are Annie’s “Bowie talking point notes from the very fun Q & A with Jessica Hopper.”

And fun it certainly was, as you can now witness for yourselves here.

categories: News
Saturday 01.03.15
Posted by Mark Adams
 

The Tony Visconti Show in NYC review

 

“When you rock ’n’ roll with me”

 

Tony Visconti and friends presented an intimate show to the audience of the City Winery, in New York on Saturday night.

Here’s a brief review of the show and the setlist kindly provided by Major Tom Wilcox.

 

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Review by Tom Wilcox

The TV Show, City Winery, New York

Saturday 3rd January 2015

 

Tony Visconti and special guests delivered an exhilarating and masterful performance to a packed City Winery in New York last night.

The perfectly balanced set of 19 songs was selected from the three or four thousand songs that Visconti has played on, produced or mixed over his fabled career in music. The exceptional highlights for Bowie fans included Suzanne Vega’s divine singing on ‘The Man Who Sold The World’, a haunting version of the dystopian epic ‘Sweet Thing/Candidate’ sung by Richie Barone and a roof-lifting, barn-storming ‘Young Americans’ sung by Nakia.

The band recreated the essential feeling of the songs with careful attention to each tune’s unique nuances. Visconti’s distinctive, dynamic, bass playing grooved imperiously with Dennis Diken’s drums. Gerry Leonard – described by Visconti on the night as “one of the best guitar players I have ever worked with” – was sublime, as ever. Joe McGinty’s keyboards and Peter Hess’s horns completed the rich soundscape.

The principal singer Richie Barone brought passion and theatricality to the night, not least on an emotive ‘Sweet Thing/Candidate’. The rotation of guest singer between the ascending talents of Kiah Victoria, Nakia and Larkin Graham, as well as very special guest Suzanne Vega, added much to the freshness and excitement of the evening.

The New York audience loved  this performance which once again illustrated the unique quality and variety of Visconti’s career. Tony Visconti’s renaissance as a performing bass player continues to delight and entertain.

 

Musicians:

Bass and vocals: Tony Visconti

Vocals, guitar and harmonica: Richard Barone

Guitar: Gerry Leonard

Vocalists: Suzanne Vega, Kiah Victoria, Nakia, Larkin Grimm

Drums and vocals: Dennis Diken and vocals

Keys: Joe McGinty

Sax/Flute: Peter Hess

 

Set List:

1. A New Career In A New Town (David Bowie)

2. Rock & Roll With Me (David Bowie)

3. You Have Killed Me (Morrissey)

4. Jet (Paul McCartney & Wings)

5. Boys Keep Swinging (David Bowie)

6. Ballrooms of Mars (T.Rex)

7. Young Americans (David Bowie)

8. Yet Another Midnight (Richard Barone)

9. Your Wildest Dreams (The Moody Blues)

10. Dove (Tyrannosaurus Rex)

11. She Was Born To Be My Unicorn (Tyrannosaurus Rex)

12. Beautiful Daughter (The Move)

13. Sweet Thing/Candidate (David Bowie)

14. The Man Who Sold The World (David Bowie)

15. Will You (Hazel O’Connor)

16. Fashion (David Bowie)

17. "Heroes" (David Bowie)

18. Oh Baby (T.Rex)

19. Get It On (T.Rex)

categories: News
Saturday 01.03.15
Posted by Mark Adams
 

Neil Gaiman on his love for David Bowie

 

“Throwing darts in lovers’ eyes“

 

As the Chicago Tribune correctly suggests, there couldn't be a better artist to close out the last day of the Museum of Contemporary Art's David Bowie Is exhibition this coming Sunday (Jan 4th) than Neil Gaiman.

Bowie fans will no doubt be aware of Gaiman’s references to Bowie in his work over the years, not least of all the unfinished short story, The Return Of The Thin White Duke, with illustrations by Yoshitaka Amano (see insert pix in accompanying montage), which was published in the Summer 2004 edition of V Magazine.

On Sunday at the MCA, Gaiman will read the finished version of The Return Of The Thin White Duke from Trigger Warning, his new book of short stories.

Neil explained to Christopher Borrelli of the Chicago Tribune:

 

“It's an old piece of fiction, started around 2004, "The Return of the Thin White Duke." It was written in two parts. I finished it for this book, but the first part was with artist Yoshitaka Amano, who was commissioned to do pictures for a magazine called V. His images were Bowie and (Bowie's wife, the model) Iman as sci-fi characters. Then I was asked to write a story, so it became about Bowie and Iman in this future New York.“

 

The main picture in our montage is of Gaiman as Jareth the Goblin King from a brief Labyrinth spoof created by his wife Amanda. Over to Christopher Borrelli again...

 

Q: There's also this funny video of you circulating online where you play Bowie with your wife (artist Amanda Palmer). You're wearing a mullet that makes you look like Bowie from "Labyrinth".

 

A: Oh my God. Yes, it was long before we were married. I just got off a plane from America to see my then-girlfriend Amanda. She said, "Neil, I am so glad you are here, and also there's this lane I go jogging through every day that reminds me of 'Labyrinth' so I'm going to film my version with some friends who are puppeteers and we have a Bowie wig and you'll play Bowie." I remember saying no. But she is persuasive.

 

Embarrassingly enough for Neil, you can watch that video here.

Read the full Chicago Tribune interview here.

If you didn’t manage to get a ticket for the reading on Sunday, we’re afraid you’re unlikely to get one now. The event sold out in less than an hour. 

categories: News
Thursday 01.01.15
Posted by Mark Adams
 

Exclusive St. Vincent tribute to David Bowie

 

“And he could have married Annie”

 

Another sold out event (see previous news item) in the closing days of the David Bowie is exhibition at the MCA in Chicago, takes place on the penultimate day of the museum’s hugely successful run, Saturday (Jan 3rd), between 18:00 and 19:30.

Musician Annie Clark, (who records as St. Vincent and whose most recent album, St. Vincent, was named album of the year by NME... deservedly so), joins Chicago-based writer Jessica Hopper in conversation about David Bowie’s influence on her work as a songwriter and performer.

Annie very kindly sent us this exclusive tribute...

 

“David Bowie's mutating aesthetic and persona are as much an instrument as his voice or guitar. Sound and vision: hero, icon, alien.“

 

Thanks for that Annie, very much appreciated.

 

St. Vincent on FB

St. Vincent official site

 

FOOTNOTE: Though the event sold out very quickly, it may be worth noting the MCA statement regarding sold out shows: “Tickets may be available for sold out events. Patrons are encouraged to come one hour prior to the program start time to join the waitlist.”

categories: News
Thursday 01.01.15
Posted by Mark Adams
 

Classic Rock feature on the birth of Glam Rock

 

“And so the story goes, they wore the clothes“

 

The February 2015 issue of Classic Rock magazine has a six page feature by Rob Hughes debating the birth of Glam Rock.

Rob is among those that would argue David invented the genre during his performances at the Roundhouse with The Hype in February/March 1970 as the colourfully clad Rainbow Man, dressed in blue cape, silver jacket, spangly tights and thigh-length boots.

The rest of the band adopted the superhero theme with Mick Ronson borrowing a suit of David’s to appear as the not overly convincing Gangster Man. Drummer John Cambridge was possibly the least committed in hat and tassel-sleeved jacket as Cowboy Man. And Tony Visconti could easily have been committed, dressed as Hype Man...you’ve seen the pictures!

If stories are to be believed, Cambridge (who had travelled to the gig ’in character’), apparently had the last laugh when the band had to return home in their stage wear after their civvies were stolen from the dressing room while they were onstage!

By all accounts one person glued to the front of the stage during the flamboyantly dressed Hype’s set, was a very impressed Marc Bolan looking for a new angle himself. Perhaps he found one that night.

The Classic Rock piece is a good article, but the Glam Rock crown is one that many have attempted to gift either Bowie or Bolan, depending on their definition of Glam Rock.

In a December 1998 DavidBowie.com/BowieNet web chat with Bowie and Visconti, photographer Mick Rock proffered this theory: “Marc Bolan was Glitter Rock. David Bowie was Glam. It's a subtle difference, but a definite difference.“.

However, it seems it’s not an accolade Bowie is particularly bothered about either way. During the same web chat, David himself suggested another possible contender thus: “Wee Willie Harris started Glam. And I'm not joking.“.

It’s true that the diminutive Harris was the first Rock ’n’ Roller to dye his hair anything other than black. See the evidence for yourself in the colour photos from 1958 on this NPG page.

The February 2015 issue of Classic Rock is out now.

categories: News
Wednesday 12.31.14
Posted by Mark Adams
 
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