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David Live And Stage Dvd-audio Details

Till the day my dream cascades around me...

As I mentioned in a previous news item, (02.21.05 REMINDER: DAVID LIVE AND STAGE OUT TODAY) we still don't have a definite release date for the 5:1 David Live and Stage DVD-Audios. I've received a few e-mails stating that members have read the discs will be available next month. Sadly, this isn't the case, the DVD-A releases will not be ready for April.

On a similar note, I have also heard from fans that have read about related footage for each disc. Again this is not true. David Live will not contain the Cracked Actor documentary, or indeed any other footage. Likewise, Stage will not contain the film of the same name. These releases are DVD-Audio and contain no footage whatsoever.

To recap, here's what each DVD-A will contain...

~ MLP 5.1 (for playing on DVD-A players) 48kHz 24 bit
~ DTS 5.1 (for playing on DVD-A and DVD-V players) 48kHz 24 bit
~ Stereo (new mix as per released CD's playable on DVD-A and DVD-V players) 48kHz 24 bit
~ Photo gallery which will include images used on packaging, and scans of related record sleeves, press adverts and memorabilia.

Hopefully that makes things a little clearer.

categories: News
Tuesday 03.01.05
Posted by Mark Adams
 

Tv Talks About 30th Anniversary Ya 5.1 Mix


Young Americans and an Englishman. Sigma Sound, Philadelphia. November 25th, 1974.
Anti-clockwise from top left: Mike Garson, Bruce Springsteen, Tony Visconti, David Bowie
and unnamed engineer. Picture © Ed Sciaky. Oh to have been a fly on the wall that day!

It's so hard to be a saint in the city...

Those of you that don't regularly visit Tony Visconti's official site may enjoy this little snippet he posted recently. Over to you Tony...

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Now that the news has been announced on Bowienet, I can tell you that it hasn't been quiet around our studio in the past month (or two). EMI and DTS are really hot on releasing David Bowie's classic albums in newly mixed 5.1 Surround Sound. I have mixed David Live and Stage, which are available now. I've just finished mixing the amazing Young Americans in 5.1 Surround Sound, too, for its 30th anniversary (has it been that long?). The release will be in a few months. There will be bonus tracks and a surprise.

All the tracks have been mixed from the master tapes to 96khz high definition digital audio. That translates to 'freakin' scary' quality. Mr. Bowie is front and center, but the backing is now spread 360º with Mr. Vandross hovering over your left shoulder for most of the album. John Lennon's six string acoustic is almost entirely in the right rear speaker on "Across The Universe" and you just might hear a comment from him when the song is over. What really brought it home to me was how great David's vocals were, and a lot of them were live takes with him standing in the same room as the band at Sigma Studios in Philadelphia.

You have never heard "Young Americans", "Fame" and "Across The Universe" like this. Oh, don't get excited about young Mr. Springsteen in the photo. He was there only for a visit and we couldn't get him to sing or do anything on "Saint In The City," which was never finished. But it's such a cool photo, isn't it?

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Apart from those pictured above, another man present on the night was journalist Mike McGrath who reported on the events of the evening for the November 26th 1974 issue of The Drummer magazine. Here's a small excerpt from what is quite a large feature:

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We arrived at Sigma Sound a little after eight. Producer Tony Visconti was arched over a mammoth soundboard, pressing buttons, being generally pleasant to the half-dozen engineers and musicians in the control room, and peering into the large windowed studio directly in front.

The album was practically finished. The first rough mix had been accomplished since Bowie recorded the basic tracks some weeks ago, and this week had been devoted to clean-ups and overdubs. This was the final night in the studio for the album - the final touches would now be made.

I'm Only Dancing (She turns me on) was being played back. Pablo was in the studio, overdubbing a cowbell and some chimes onto an already lushly produced cut. Visconti easily shows his pleasure with the final product as Pablo finishes up. The cut is full and rich, almost a Phil Spector R&B wall of sound - Bowie's voice mixed way into the background.

Seven minutes to midnight: The door opens and in saunter Ed and Judy Sciaky, escorting the night's special guest star, a road-weary Bruce Springsteen, fresh off the bus from Asbury Park, New Jersey. Bruce is stylishly attired in a stained brown leather jacket with about seventeen zippers and a pair of hoodlum jeans. He looked like he just fell out of a bus station, which he had.

It seems that one of the tracks Bowie laid down was Bruce's It's Hard to be a Saint in the City. Tony Visconti called Ed at WMMR and asked him if he could get Bruce into the studio.

An hour later, the time passing with some more overdubs and a few improvised vocals by Luther of the Garson band (who sings a fine lead and whose vocal power adds a lot of strength to an already powerful album), enter David Bowie and Ava Cherry, white haired soul singer for the band.

David breezes in, takes account of the night's progress, lets his piercing eyes cast across the room a few times, listens to a tape and then leaves Tony to his work so as to chat with Bruce.

Five people hunched up in a far corner of the lobby, looking more like the fans (half a dozen of whom were still standing outside, savouring the vibrations) than the stars themselves.

David reminisces on the first time he saw Bruce - two years ago at Max's Kansas City - and that he was knocked out by the show and wanted to do one of his songs ever since. When pressed for another American artist whose songs he would like to record (as he did for British artists on the Pin-Ups album), David thinks a while and replies that there are none.

Bowie is tall and skeletal. Red beret tipped extremely to one side, the other revealing a loose patch of orange hair, leaning away from ears that uncannily resemble a Vulcan's up close. Intense hawk eyes; if they fix on you friendly it warms the room; unfriendly or even questioningly, you're forced to turn away from them. Red velvet suspenders over high-waisted black pants and a white pullover sweater complete the bizarre outfit, which, like any other, grows on you as the hours pass.

In fact, Bowie grows and fleshes out as the hours pass. From the secluded, mysterious figure portrayed by the press into a man of odd habits, but more personable as some time passes between you.

After a promise to meet again and talk further in New York, Bruce heads off with Ed and Judy for a 5am visit to the Broad Street diner. Max's Kansas City had been his first professional gig and Bowie was in from the start. Bruce leaves without having heard his version of Saint. The feeling is that it's not ready yet.

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So there you have it...It seems Bruce never even heard the track after all, as it was unfinished. Which would point even more strongly to the released version having been recorded during the Station To Station sessions, as suggested in the Sound + Vision liner notes.

categories: News
Monday 02.28.05
Posted by Mark Adams
 

Arcade Fire - New Dates And Review Of Funeral

Lit by the glare of The Arcade Fire...

Those of you that subscribe to the Arcade Fire newsletter will know all about the European release of Funeral today...the "amazing debut album from Arcade Fire, available in beautifully packaged gatefold CD and LP."

These new UK tour dates have also just been announced today:

4th May Manchester MDH
5th May Glasgow Debating Chamber
6th May Birmingham Academy 2
8th May Bristol Academy
9th May London Astoria

As if DB's endorsement isn't enough for most of us, here are a few quotes from the UK press followed by a five star review from yesterday's Sunday Times newspaper.

''One of the year's best already, by a mile' The Guardian
''There won't be a better debut album this year' Time Out
''Totally. F***ing. Awesome.' NME
''...understated yet majestic debut...' Rocksound
''Wonderful' Evening Standard

------------------------------------------------------------------------------------------------------------------------

Pop CD of the Week: The Arcade Fire: Funeral
DAN CAIRNS

THE ARCADE FIRE
Funeral
Rough Trade TRADCD219

Three minutes into Une Annee sans lumiere, as the drums, guitar and tambourine kick in, this Canadian band throw back their heads and, for the sheer joy of it, shout: ?Hey!? It?s a moment of the purest rapture that can only be responded to physically. I?d call it one of my favourite records of the past 10 years, except that I?m going to play it so much it is bound to grow stale.

The album is loosely themed around the concept of neighbourhoods, and its presiding spirits (of death coinciding with new life) and title arose from the loss of relatives experienced during the recording process and from the marriage of the band?s founders, Win Butler and Regine Chassagne. Early Roxy, Talking Heads, Berlin Bowie, folk, violins, whistling kettles, a steel band, Butler?s tremulous not-quite-a-voice: all join, on tracks such as Laika and Une Annee, to create an album of heartbreak, redemption and words-fail-you beauty.

Buy this. Right now. Five stars

------------------------------------------------------------------------------------------------------------------------

Here are those March dates again for those of you that missed them when we posted them back at the beginning of the month:

The Arcade Fire March 2005 European Tour

8th London, UK, Kings College
10th Paris, France, Le Nouveaux Casino
11th Amsterdam, Netherlands, Melkweg
13th Berlin, Germany, Magnet
14th Oslo, Norway, Garage
15th Stockholm, Sweden, Debaser
17th London, UK, ULU

Roll on the 8th!

categories: News
Sunday 02.27.05
Posted by Mark Adams
 

More Celebrity Bowie Fans Show Their Love


"The boys are like baby-faced girls" George-styled Bowie Boy, Richie Rich.

When you're a boy, Other boys check you out...

We all know that David Bowie is a fan of the work of many other artists, (see yesterday's Arcade Fire piece) but it seems more than ever that celebrity Bowie fans around the globe are involved in projects with links to our man to a lesser or greater degree. Well, here's just a few recent examples, and how better to start than with self-proclaimed "No.1 World-Wide Bowie Fan", Boy George.

BowieNetter Vernard from Vancouver pointed me in the direction of this story, and so, over to him...

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Well, George always claimed he prefered a nice T to sex!

"I was watching Fashiontelevision last night and good old Boy George comes on and he (unbeknownst to me) just designed a clothing line called B-Rude. Last week in New York he had his first opening ever, so he was interviewed by our Canadian host and was asked who influenced him to do this particular design of clothing (its pretty wild) and of course he started gushing about David Bowie.

Of course, we know how much Bowie has influenced George, but many of these clothes have big prints of David Bowie on them, (a-la Ziggy Stardust) and the models in this fashion show were extremely Bowie-esque. Some were called Bowie boys. So it was quite a nice surprise I thought. I always think its great that Bowie's influence continues way beyond his music, such as fashion and culture of course."

Thanx for that Vernard...good to hear from you.

You can check out more from the B-Rude range and view pictures from the star-studded B-Rude fashion show at the Hiro Ballroom in New York during the Olympus Fashion Week Fall 2005, on George's official site, and also at wireimage.com and at models.com.

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Another celebrity who has committed their well-known love of all things Bowie to something more permanent than words, is Moby. Though not immediately apparent, the track Spiders on his new album, Hotel, is a tribute to DB. Here's a few words about the song from Moby himself...

"Well if you know anything about me, it's probably no secret that I'm a huge David Bowie fan. You know, from my perspective, I think that he's the most remarkable musician of the last fifty years, possibly even of the last century, and I guess it's pretty obvious that "Spiders" is my homage or tribute to David Bowie.

It's also in large part inspired by that feeling of being alienated from the mainstream culture in which we all live. And I don't know about you, but the last...(laughs) the last few years have made me feel more alienated from mainstream culture than I ever have. And, of course, David Bowie has always been the king of making a great creative virtue out of that sense of alienation."

It's a great song, and if you've heard the track you'll know that it does allude to Bowie with lines like: "Come back to us Spiders, Come uncrush my hands" and the touching refrain: "Oh, why did you leave? Why won't you come, And save us again?".

Moby has said that Hotel is a sample-free recording, and if songs such as the "Heroes"-esque We Are All Made Of Stars and the excellent Extreme Ways from 18 are a hint of things to come, then I look forward to Hotel's release on March 14th. (March 22nd in North America)

-------------------------------------------------------------------------------------------------------------

Next up is the work of another truly colourful and somewhat eccentric Englishman...and another huge Bowie fan to boot, Spizz!

Though many of you may be wondering, Spizz...celebrity? Who him? ...some of the older members among you European members will remember Spizz as the head of the band that dominated the indie charts back in the late seventies/early eighties with a name change so frequent that it probably didn't help the band's career path.

Remember Spizz 77, SPIZZOIL, SPIZZENERGI, Athletico Spizz 80, The Spizzles? Well, even if you don't, you'll have to agree that laying claim to the very first official indie chart #1 with Where's Captain Kirk? and having the song covered by REM is pretty cool. Not to mention three singles in the official indie chart top 30 at the same time and a Top 20 album!

However, before the clarion call of Punk Rock beckoned him, Spizz had been trained in fine art immediately after leaving school in 1975, and was directly influenced by POP ART. He designed all of his record sleeves and his graphic design wit was apparent when virtually every one of his single sleeves was reproduced in the music weeklies because of their distinctive appeal.

Anyway, an original painting on canvas by Spizz (see above) is up for grabs on eBay...here's a few words about it from the artist himself:

"The first proper rock LP I bought was Ziggy Stardust and the first concert I attended was David Bowie at the Birmingham Town Hall, June 22nd 1973, 2nd performance Row C (for £1.50!). So it is appropriate that my first painting specifically for eBay should be an adaptation of that great album.

I spent many hours with this LP on maximum volume (as instructed) gazing at the lyrics and especially the sleeve as Mick Ronson's space-age guitar soared on Moonage Daydream. It evoked such wonder in me and I was fascinated by the way the light fell on Bowie. I was also intrigued by the illuminated sign saying 'K.West'.

These two ingredients are the subject of the painting. It measures 60cms x 60cms x 2cms (considered by other eBay sellers as a large painting at just under 24" x 24" x 3/4")."

The auction currently stands at £82 GBP (approx $158 USD) and is surely destined to become worth far more than that. The Auction ends in a few hours though, so if you want an original Spizz/Bowie at a snip you had better get bidding!

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Finally, though not known for being a big Bowie fan himself, (Though who knows? A man of taste, so he probably is!) actor Mackenzie Crook appears on the front of the latest (April issue) Maxim magazine Fashion supplement (inset above) under the heading of The Man Who Fell To Earth.

The magazine continues with the Bowie punning inside, thus: "The Mackenzie Crook that Maxim interviews is a very different figure to the edgy Thin White Duke who appears in our fashion shoot."

The allusion to TJ Newton is further enforced by Mackenzie's friend and The Office co-star, Ricky Gervais, who has this to say about the picture above: "My word. I know for a fact that my hairdryer weighs more than him. But this is quite cool, 1974 Bowie-esque. I think he fancies himself. If he was dressed like that, I'd have to keep touching his knee - that's the only way to put him off. He hated it. He has the boniest knees in the world. Like a turkey's. Hmmm...I will never work with him again."

He he, nice to see Ricky a little envious.

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Well, there's more of this stuff...But, I'm afraid you may stop reading if I go on any longer, so I'll probably do a Celebrities Who Love Bowie follow-up shortly.

categories: News
Saturday 02.26.05
Posted by Mark Adams
 

Exclusive - Db On The Arcade Fire


"Putting on the black tie, cranking out the white noise..."
The "life affirming" Arcade Fire - Picture © Ron Boudreau

Take to The Arcade Fire...

The current issue of Rolling Stone magazine has a great Arcade Fire feature, with a quote from DB, which you can read online here.

But, what you can't read there is the full piece David wrote for the item, which amounted to four responses to a similar amount of questions. Here, exclusively, is the whole thing for your reading enjoyment...

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What attracted you to the Arcade Fire?

Along with Secret Machines and Animal Collective, The Arcade Fire topped my favourite albums of last year. Since working closely with the Montreal Dance Company La la la Human Steps in the late eighties and early nineties I've kind of followed all things Montreal. I bet I'm one of the few who has live boots of God Speed You Black Emperor.

There's a certain uninhibited passion in The Arcade Fire's huge, dense recording sound. Strings and guitars have never sounded so good and primitive together, almost dancing-in-a-French-village-square kind of exultant. They meld everything from early Motown, French Chanson and the Talking Heads through to The Cure in a kaleidoscopic dizzy sort of rush. I bought a huge stack of the Funeral CD last September and gave them to all my friends. I made so many converts.

What makes them unique?

Accordion, melodica and glockenspiel could have something to do with it. That plus a wonderful drummer who never lets up. I've always been a sucker for heartfelt lyrics and when they're coupled to a relentlessly cathartic vocal performance like TAF's Win Butler you're in for a soul-affecting listening experience.

What did you think of their live show?

Hugely amusing, sad, tumultuous, life affirming and heart-clenchingly passionate. They often open with Wake Up and the moment the entire band scream out the first 'Oh-oh-oh', you know you're in for a top-drawer night. I've seen them three times now and just think they're the bees-knees. So does my son, Duncan. We're family fans.

What do you think the future holds for the band?

I'm the last person to know an answer to that but if I have to predict I'll suggest that they'll be simply huge in the UK and Europe first in much the same way as Hendrix or The Pixies, as is usual with the more adventurous North American bands. America will trail behind about six months to a year and then co-opt them.

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As we told you earlier in the month, (02.04.2005 NEWS: DB JOINS THE ARCADE FIRE ON STAGE IN NYC) The Arcade Fire play their first European shows in March, and, as David suspected, both London shows are completely sold out. See ya there, kidz!

categories: News
Friday 02.25.05
Posted by Mark Adams
 

Glamdammit - Bowie & Bolan Try Again

The stars look so special, And the snow looks so old...

The last glamdammit do in New York that we told you about was "cancelled on account of the new york blizzard of 2005". It's rescheduled for February 26th and here are the details again to save you the inconvenience of clicking back to the original story. (01.16.05 NEWS: GLAMDAMMIT BOWIE & BOLAN IN NY ON SATURDAY)

glamdammit

twig the wonderkid and the astronettes will put their arms around your head whilst spinning early-seventies glam accompanied by glam-era video projections... special screening of david bowie and marc bolan television appearance @ 10pm!!

saturday february 26th @ 11pm - no cover

nhk 'heroes' special @ 10pm - no cover

saturday february 26th
cinema classics
332 e 11th st
new york city

If you regularly attend these events, please let us know just how much fun they are.

categories: News
Thursday 02.24.05
Posted by Mark Adams
 

Download Ten Of Bowie's Best For A Fiver

Could it be the best, could it be?

David Bowie is the subject of this week's Perfect Playlist in the UK newspaper, The Daily Telegraph. Lynsey Hanley selects what she consideres to be ten of the best Bowie tracks, preceded by this introduction:

Never mind the endless jaw-dropping image changes, David Bowie is a one-man Lennon/McCartney, writing so many of the defining pop songs of the last 35 years that he could fill up his own iPod.

These are the songs Lynsey chose:

Oh, You Pretty Things!
Moonage Daydream
Win
Golden Years
Breaking Glass
"Heroes"
V2 Schneider
Ashes To Ashes
Let's Dance
I'm Afraid Of Americans

Lynsey is clearly a woman of taste and she goes on to give each track a glowing review. Click on the image above to read the whole thing on the Telegraph site where you can buy all or part of the David Bowie Perfect Playlist at half price (10 songs for only £5), by registering at Oxfam?s online music store, Big Noise Music, and automatically donating to the charity at the same time.

categories: News
Wednesday 02.23.05
Posted by Mark Adams
 

Still Time To Win Personalised Presentation Disc

We've got five weeks...

Don't forget that the David Bowie trivia contest to win a personalised David Live presentation disc that we told you about recently (02.15.05 NEWS: WIN A PERSONALISED DAVID LIVE PRESENTATION DISC) is open for another five weeks yet.

The closing date by which entries must be received is midnight UK time on March 31st 2005.

You can enter the contest as many times as you like and each time you enter you will be presented with ten questions. You need to get seventy percent correct with each entry to be entered into the draw.

There are approximately forty different questions which are proving far too easy for you lot generally, even if some of you have had to do a little bit of Googling.

Click on the image above to reach the quiz page...Good Luck to all.

categories: News
Tuesday 02.22.05
Posted by Mark Adams
 

Young Americans 30th Anniversary Cd Due

I heard the news today, oh boy...

Thirty years ago today, the first taste of David Bowie's latest direction was launched upon a completely unsuspecting European public, in the shape of his first slab of "Plastic Soul", 1975's Young Americans 7" 45 single. An edited version had been released in the US the previous month.

Though a select few US fans knew of Bowie's flirtation with the Philly sound, (having experienced it during the tail end of the Diamond Dogs tour, which come to be known as the Soul Tour or the Philly Dogs Tour) the single was quite a shock to David's European fans (albeit a pleasant one) and indeed to anyone who was expecting something else in the Diamond Dogs vein.

Of course, the previous single, Knock On Wood, had been more than a hint of things to come and David scored another Top 30 hit in the US and a Top 20 hit in the UK with Young Americans.

Radio stations in the UK and the US were furnished with an outrageously butchered 3.11 minute mix, (see demo disc above) almost 2 minutes less than the 5.01 minute full single mix which was the same as the upcoming album version.

IMHO, the Young Americans song itself (particularly the lyrics) gives a knowing nod as much to Bruce Springsteen, and his 1973 debut album, Greetings From Asbury Park, N.J., as it does to the sound of Gamble and Huff.

David enjoyed the early work of Springsteen so much that he oversaw the recording of three Springsteen covers from that first album: Spirits In The Night with The Astronettes in 1973 and his own versions of Growin' Up, during the Diamond Dogs sessions, and It's Hard To Be A Saint In The City, during the Young Americans sessions.

Anyway, I'm getting spottery again... The point of this news piece was to inform you of a new 30th Anniversary double disc edition of the Young Americans album due in a few months.

Without the aid of a time machine we certainly have no chance of hitting the exact 30th anniversary date. However, if everything goes to plan, there are going to be some very nice surprises on this one.

I'll post more details, such as release date and tracklisting as I get them.

categories: News
Sunday 02.20.05
Posted by Mark Adams
 

David Live And Stage Out Today

Here Today, Here Tomorrow...

If you don't know that the EMI special edition issues of the David Live and Stage CDs are released around the world today, then frankly, you've not been paying attention!

The newly expanded CDs will be delayed in North America until March 15 and we still don't have a definite release date for the 5:1 DVD-Audios. But, we'll obviously let you know as soon as we do have one.

I posted the winners of our competition for both CDs yesterday with a promise of the solution today...so here it is:

David Live-related sleeves (above) - Clockwise from top left:
1 = Knock On Wood/Panic In Detroit - 1983 reissue - UK and Ireland
2 = Knock On Wood/Panic In Detroit - Germany
3 = Knock On Wood/Panic In Detroit - France
4 = Knock On Wood/Panic In Detroit - Japan

Stage-related sleeves (above) - Clockwise from top left:
1 = Breaking Glass EP - 1983 reissue - UK and Ireland
2 = Breaking Glass EP - Belgium
3 = Soul Love/Blackout - Japan
4 = Breaking Glass EP - UK and France

For those that missed them yesterday, here are the 20 people who answered correctly and were selected by The Random Generator:

David Live winners:
avogadro
davor
dreamgirl
giuseppetarantino
MAJORTOMSOLO
mikey
moondust_rt
TheEMan
thomcats
will

Stage winners:
anxiety
artlies
chas
craig62
diabolicalmind
don
geraldcraig
heelheadover
jazzfyr
ramoana

If you won and you didn't already supply it, please send me your address now.

categories: News
Sunday 02.20.05
Posted by Mark Adams
 

David Live And Stage Cd Winners

Cold I am, Tonight I am, Tomorrow's really on my mind...

It's too cold and too late on a Sunday night not to be in bed, and so quickly on to the winners of the David Live and Stage CDs...I'll post the solution for those few of you that got it wrong tomorrow, just before you head off to buy a copy of each of the above!

David Live winners:
avogadro
davor
dreamgirl
giuseppetarantino
MAJORTOMSOLO
mikey
moondust_rt
TheEMan
thomcats
will

Stage winners:
anxiety
artlies
chas
craig62
diabolicalmind
don
geraldcraig
heelheadover
jazzfyr
ramoana

If you won and you didn't already supply it, please send me your address now.

categories: News
Saturday 02.19.05
Posted by Mark Adams
 

10 Copies Of Both David Live And Stage To Be Won

Got to keep searching and searching...

EMI's generosity continues with the donation of ten copies of both the David Live and Stage CDs for our latest competition. Following on from their own ongoing competition (02.15.05 NEWS: WIN A PERSONALISED DAVID LIVE PRESENTATION DISC) it seems many of you enjoyed the spot-the-sleeve aspect of it...You've guessed the next bit.

Below are portions from both David Live and Stage-related 7" 45 single releases.

All you have to do is identify the four sleeves in each case and tell me the title of the release and country of origin of them all.

For those of you that don't recognise the sleeves from memory, the sleeves are all available online.

Each BowieNet member can try for both CDs, but must enter separately using the links below.

Enter David Live competition here

Enter Stage competition here

Usual rules apply: Only one entry for each album per BowieNet account. Also, please remember you must enter using your BowieNet e-mail or at least supply your BowieNet user name. It will speed things up for you if you include your real name and address, as we won't then have to wait for another e-mail from you in the event you are a winner.

The competition ends midnight on Sunday UK time so that we can announce winners before the general on-sale on Monday morning.

categories: News
Wednesday 02.16.05
Posted by Mark Adams
 

New Poll And Old Poll Results

Smiling girls and rosy boys, Come and buy my mp3s...

We're running a new poll to try and find out where those of you that purchase digital music actually get it from. Click on the DISCOURSE tab above if you feel like contributing to our survey.

Meanwhile, the last poll we ran had a very healthy response of just over four thousand! (See screen grab above)

We asked: "In which decade did you first begin to appreciate the work of David Bowie?", and though the overall winning decade of the 1970s with 37.18 percent of the vote was no big surprise, I couldn't have predicted a couple of the other results.

Here's the breakdown with responder amounts in parenthesis:

1960s = 6.41% (257)

1970s = 37.20% (1491)

1980s = 22.63% (907)

1990s = 15.47% (620)

2000s = 18.29% (733)

Total Responses: 4008

If any of the 257 people who selected the 1960s would like to contact me with their stories, I'd love to hear them...unless, of course, your qualifying statement is: "I heard Space Oddity on the radio"!

Similarly, it would be great to hear from some of the 733 of you that have started enjoying David's music in the past five years. How did you stumble upon his work in the first place?

categories: News
Tuesday 02.15.05
Posted by Mark Adams
 

Win A Personalised David Live Presentation Disc

All you have to do is win...

As you're all fully aware, EMI reissue the newly-improved versions of David Live and Stage this coming Monday, February 21st. To celebrate the fact, there is a great David Bowie trivia contest open to all, the winner of which will receive a personalised David Live presentation disc engraved with their name.

You can enter the contest as many times as you like and each time you enter you will be presented with ten questions. You need to get seventy percent correct with each entry to be entered into the draw.

There are approximately forty different questions which should all be pretty straightforward for you lot, though a couple of you may need to do a little bit of Googling.

When I tested the contest page earlier, I entered five times and scored 100 percent each time. But then I guess you'd expect that from your friendly neighbourhood BowieNet News Editor!

Click on the image above to reach the quiz page...Good Luck to all.

Stay tuned for another contest to win copies of both albums.

categories: News
Monday 02.14.05
Posted by Mark Adams
 

Condolences To Tony Visconti

Our thoughts and deepest sympathies are with Tony Visconti and his family with the sad news that his father, Anthony F. Visconti, died on Wednesday.

Anthony, born on January 8th, 1917, was 88 and shared the same birthday as David and Elvis. Tony was with his father when he passed peacefully away.

categories: News
Sunday 02.13.05
Posted by Mark Adams
 

Abbey Road Playback...bowienetters Report


BowieNetters, nicyooyak, dez, charly, cdcarter, susans and DukeBox relaxing at Ground Control.

Hey, that's far out so you heard him too?

I'm sure those of you that frequent the BowieNet MBs have already seen the excellent reviews of Saturday's David Live and Stage playbacks at Abbey Road posted by Dez and Dukebox. Charly has also supplied a review which can be read in its entirety below as it wasn't posted on the MBs.

I have to say I am in complete agreement with all of the reviewers about these 5.1 mixes. Both albums have been utterly revitalised and are a completely new listening experience. They now sound so much brighter and energetic...Like the audio equivalent of a net curtain being removed from the window of your favourite view. (Sorry about that, I haven't taken any drugs...honest!)

I'm happy to say that Stage in particular is a quantum leap from what it was...the evidence of an audience has given the album a super-boost of atmosphere and has turned what was a good album into a great album.

BowieNetters, that haven't already, can read Dez's David Live review here and his Stage review here. Go here for DukeBox's David Live review and here for his Stage review.

Anyway, here follows Charly's review, but first a few words of gratitude from the man responsible for these improvements, Tony Visconti.

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Hi Blam,

I confess to reading the reviews you sent to me from Charly, Dez and Dukebox regarding their Abbey Road listening party experience more than once. I am so glad that the improvements in the sound of David Live and Stage have been that noticeable and acknowledged. We worked very hard to make those mixes jump out of the speakers and to recreate the live experience of being there. David's incredible performances and song writing deserved this, and I'm so glad we now have the technology to make these recordings sound like they are new.

I have to acknowledge Nigel Reeve, Henry Wrenn-Melek, DTS and my able assistant Mario McNulty for their invaluable contributions to these projects. The ultimate reward, though, is reading reviews like the ones I'm seeing on Bowienet. I'd like to remind Bowienetters that we restored the concerts to their original running orders and missing songs because of their requests on Bowienet. Could you please thank the people who were there and wrote about it?

Cheers,

Tony Visconti

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A Modern Age Daydream by Charly

In anticipation of what I was due to witness on Saturday 12th February, I had been playing David Live in the car for a few days. Just to re-familiarise myself with it. Hadn't played it for a while and it was nice to re-encounter Aladdin Sane and Width Of A Circle played in the '74 style, along with all the rest obviously. Driving into London, I wasn't sure what to expect, thinking about the studio, where would we be sitting, what would it sound like? You get the idea. Once inside, we were taken to the studio and were given a quick insight into the 'doings' by Nigel and Merrick (big thanks to both). Blam said a few words and then it was time to take our seats. We sat right in front of the mixing desk, almost huddled in a little semi circle so we had the best position in-between all the speakers. Large speakers - just the sort of thing I want in my lounge! Time for the off and straight into the music. And WOW!

The clarity, the quality, you could hear EVERYTHING. Things were going on in those songs I'd never heard before. Bowie's voice was strong and powerful, absolutely beautiful. This was a listening experience beyond description. I spent most of David Live with my eyes closed, mellowing in the moment, trying to capture images of David on stage in 1974, wishing I was there (I was only 3 unfortunately - Mum wouldn't let me go to Philly). The addition of Space Oddity was awesome, it had an almost eerie feel to it. Hearing Panic in Detroit as part of the show was incredible and it sounded amazing. I got lost in Aladdin Sane, being my ultimate favourite Bowie song and I love the way he did it live then.

I mouthed the words a lot, I could hear the audience behind me. I felt chilled yet tense at the same time. Part of me wanted to leap up and dance and sing, the other part luckily won over and I just tapped my feet and nodded my head to the music. Sweet Thing has always been a favourite on Diamond Dogs. The deepness and fullness of his voice mesmerises me every time. This hadn't prepared me however, for hearing it in 5.1, not even close. I can't listen to it again, well, not until I get the new remastered CD anyway.

The intro to Diamond Dogs itself almost made us jump. Wham Bam Thank You Mam kind of thing. It just hit us and I SO wanted to be there. This was just pure unadulterated excellence. The sound was so 'real' I almost felt like I could reach out and touch it. We all felt exhausted afterwards, almost like we'd concentrated so hard on listening, taking it all in, it had shot us to pieces.

A brief interlude for sandwiches and it was back for Stage. I hadn't played this in ages but I used to play it a lot. I now think I'd been listening to a different album. This was NOTHING like it. The sound was full and crisp. It had depth and volume that the basic CD couldn't begin to produce. How many instruments? The piano on Warszawa was rich and sensual. Heroes, like Diamond Dogs, almost had us all jumping out of our seats in surprise. It almost leapt out of the speakers at us. What In The World seemed much 'busier' than I ever remember it to be. Sense of Doubt, one of my faves from Heroes was mind blowing. I didn't know which speaker to focus on, although particularly amusing was the back left one which sounded like it had been taken over by alien-like beings. This really makes the original album sound flat. Be My Wife and Stay were fantastic and so belong on this recording.

The ingenuity of Station To Station being 'stuck' together defies explanation and the way the sound swirled around our heads, echoing from speaker to speaker completely took you in. The audience were again behind me, swaying and clapping, I was with them. As the last notes of TVC15 faded, I sat there in realisation that I had just heard one of the most incredible sounds I'd ever heard. Walking out, I almost felt stoned - I've never been stoned so can only imagine that's what it was like. I felt knackered yet totally exhilarated. Two stunning concerts back to back and I felt like I had literally been at each one. If only....

HUGE thanks to the guys at Abbey Road, to Blam and to BowieNet for making Saturday 12th February 2005, which would have been an otherwise totally boring, cold wintry day, a day and a half to remember. Soul Love. And hello to my fellow BowieNetters, great seeing you all and sharing that moment with you.

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categories: News
Sunday 02.13.05
Posted by Mark Adams
 

Sun Readers Demand A Recount - Vote For Heroes

The Sun machine is coming down...

It seems readers of The Sun newspaper in the UK feel the winner of the recent Brits Best Song of the Last 25 years poll is about as deserving as most of you reading this think it is.

Despite your best efforts after I posted a link to the voting page at the start of the year, (01.03.2005 NEWS: VOTE FOR HEROES, PLUS 3 DB SONGS IN ALL-TIME TOP 100) "cruise ship entertainer" Robbie Williams clinched the top spot with his song Angels.

I'm not saying there was a miscarriage of justice, or even that the vote was fixed so that those who promised to attend would win...No, no. I'm not saying that at all.

However, it seems there's now a second fairer chance for "Heroes" as you can only vote once in this poll. Anyway, click on the "Heroes" press advert above to get to the voting page...It's all just a bit of fun.

Thanx to BowieNetter onlydancing for the pointer.

categories: News
Saturday 02.12.05
Posted by Mark Adams
 

Adrian Belew On Mint


David Bowie and Adrian Belew do that guitar thing on the 1990 Sound + Vision World Tour

Adrian's guitar sound jealousies scream...

Sunday night is MINT night and host Marc Riley has as his guest this week, master of the bizarre guitar squeal, Adrian Belew.

You'll know Adrian from his work on Lodger and the 1978 and 1990 world tours, not to mention the Bowie/Belew composition Pretty Pink Rose.

MINT has all the usual features you've come to know and love over recent months, including contributions from sidekick Rob Hughes, who awarded the forthcoming David Live reissue a measly 3 out of 5 in the latest Uncut magazine. I have a feeling that those present at the David Live Abbey Road playback may take issue with him on that!

Anyway, MINT is online and on DAB radio every Sunday from 10:00pm to midnight, UK time. But, don't fret if you miss the initial broadcast as you can still listen online up until the following week's show.

categories: News
Friday 02.11.05
Posted by Mark Adams
 

David Live And Stage Teasers

You've got your transmission and your live albums...

Ahead of the 5.1 listening party at Abbey Road and despite a spoiler being posted by a BowieNetter on a Bowie fansite's MBs, I thought I'd give a little tease of what's to come to those of you that don't want the complete contents of the forthcoming new versions of David Live and Stage revealed in their entirety just yet.

It seems from a post from an antipodean BowieNetter on our own MBs that some territories have jumped the gun and are already selling the releases. We expect that kind of behaviour in Holland and even Ireland, but Australia!? };-) Oh well, spilt milk.

I know many of you prefer to get the full impact of each package when you buy them, so I apologise in advance for lessening that impact a tiny bit with some of Dagmar's stunning pictures and a few of Tony Visconti's words from each of the packages.

First up, a small excerpt from TV's notes for David Live, followed by the same from Stage, both accompanied by Dagmar's beautiful shots...

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Excerpt from David Live sleeve notes by Tony Visconti.

This project started after we chose Electric Lady Studios in New York just to listen what was on the multi-tracks. We loved the spirit of concerts, the performances were lively and the vibe was right. But there were some technical problems, which were no reflection on the engineer, Keith Harwood. Anything can happen during a live recording and it usually does. There is no luxury of a take two. We would have to make this album a mixture of both nights. The drums were sounding good, but the bass was very thin sounding. The percussionist?s microphones had picked up everyone else?s instruments and the backing singers and horn players were often sporadically off microphone due to excitement, I guess.

But David?s vocals sounded wonderful, which was reason enough to make this project work. It was obvious that some things needed fixing. There was too much instrument spillage on their mix and their blend could?ve been better (they were ?locked? on one audio track, so rebalancing was impossible). Geoffrey and Gui sang their original parts in a few hours, but we used as much as the original vocals as possible. Some of the horn parts were also re-recorded because of technical difficulties. I have been asked if David?s voice had been overdubbed in some cases, because it didn?t always match up with bootlegs of the Tower show. We did not fix David?s lead vocals, so those bootlegs must be from an alternate night. David Live is David ? live!

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Excerpt from Stage sleeve notes by Tony Visconti.

The only 'cheating' I am guilty of was cutting into the middle of "Station To Station" with a section from another night and city. The beginning and end are from Boston but the middle is from Providence. The possibility of making such edits was planned from the time I set up the sound for the first show. After I made an initial band set up, complete with equalization, dynamic processing and track assignment, I instructed my crew never to change anything on the console from show to show, and to always to use the same exact microphones. After each show a big X was made across the console in white tape, with a written warning that anyone who touches the console would be castrated.

Enormous credit goes to drummer Dennis Davis for consistently playing the same tempo from night to night, making such an edit possible. My reason for the edit was because "Station To Station" was over eight minutes long and we didn't have one great complete take for one reason or another. They were all good takes, but I needed a great one! The Boston/Providence/Boston solution worked like a dream.

We made a drastic decision to put the album in a very different running order than the live performance. We assembled the tracks in a sort of chronological order, as they were originally recorded, from Ziggy Stardust to "Heroes" (our most recent album). David loved the idea. The Brian Eno ambient compositions took up one of the four sides of vinyl exclusively. After many years of living with Stage as it was, we have decided (with some persuasion from members of Bowienet, David's website community) to restore the original order of the concert. This present running order now includes two bonus tracks, "Stay" and "Be My Wife." They were excellent performances but were left off the original album because of vinyl's timing restraints (twenty minutes maximum a side, for rock).

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Many thanx to both Tony and Dagmar for bringing both these projects back to life.

categories: News
Thursday 02.10.05
Posted by Mark Adams
 

See Db And Friends On The Big Screen

I've come on a few years from my Hollywood Highs...

We told you about Mayor Of The Sunset Strip over a year ago (sorry, can't the find story now) and the soundtrack CD a little more recently. (03.16.2004 NEWS: UNRELEASED DB ACOUSTIC TRACK OUT IN US TODAY)Mayor Of The Sunset Strip

The film of Rodney Bingenheimer's life has probably been seen by most of you, in theatres in the US and via DVD elsewhere. Well, now Londoners get to see the documentary on the big screen when it opens at two London cinemas tomorrow.

If you've already seen the film you'll know what a touching record it is of one of Hollywood's more colourful characters and how important his contribution to the Los Angeles music scene has been. Pictured above is David "It's a man's dress" Bowie and Rodney during a promotional visit to The States in 1971 to promote The Man Who Sold The World.

You can view a more recent picture of the pair in aforementioned BowieNet news story, taken just over a year ago backstage at The Wiltern Theatre in Los Angeles, February 7th, 2004.

Those of you that weren't even aware of Mayor Of The Sunset Strip might want to visit the official site, where you can view a trailer which includes a shot of DB (see above) playing acoustic guitar while sitting cross-legged on the living room floor of Tom Ayres' Hollywood Hills home... not to mention some footage of Rodney and a Mohawk-sporting DB from 1997. Click on either of the images above to get there.

Mayor Of The Sunset Strip opens for a six-day-run at Odeon Camden Town and Odeon Panton Street tomorrow. (Friday)

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Another documentary film charting the life of a character every bit as maverick as Mr Bingenheimer, is Andrew Horn's The Nomi Song about the late Klaus Nomi. This film has been around for about a year playing festivals and such, but has still to find a general release or even a DVD release.

Again, this isn't the first mention on these pages of Klaus Nomi, and surely everybody is aware of his and Joey Arias' extraordinary contribution to David's appearance on Saturday Night Live On December 19, 1979. David performed three songs on the show: The Man Who Sold The World, Boys Keep Swinging and TVC15, which remain among the most bizarre television performances broadcast anywhere, ever.

Words can't do the appearance justice, suffice to say, if you've never seen it you really must track down a copy. You can view a trailer here, in which there are a couple of very brief snatches from Saturday Night Live.

The Nomi Song is still being shown at various festivals and the like which you can view a list of here. But, do keep an eye on local listings too, as BowieNetter Bianca has observed that the film will be showing in Germany from February 18th...a fact that isn't mentioned on the official site.

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Fast forwarding to next month, BowieNetter TheDeuce sent in a bit about a one-off screening of Labyrinth on the big screen...but, I should warn you before you make any arrangements that BowieNetters Saxonny and Gwnavere are likely to be present. };-)

The beautiful Byrd Theater is showing Labyrinth at midnight on March 12th (Saturday night into Sunday) in Richmond, VA. You can find more details here.

categories: News
Wednesday 02.09.05
Posted by Mark Adams
 
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